Thanos’ (Josh Brolin) from the end of Snap Marvel Avengers: Infinity War It is one of the greatest cinematographic shocks of the 20th century. It’s the equivalent of this generation’s Darth Vader telling Luke Skywalker that he’s his father. And adding the five-year span between Thanos’ initial victory and final defeat known as the Blip, Avengers: Endgame established the dire consequences of wiping half the universe out of existence. But in the meantime Final game While it did a great job of showing how the Blip destroyed the main heroes, subsequent Marvel movies have failed to depict how it changed life in the Marvel Cinematic Universe in such a big way. Spider-Man: Far From Home He also played the chaos of the return of Blipped towns for laughs. Marvel’s Disney Plus series, on the other hand, highlights the various personal and sociopolitical ramifications Blip still has in the world of the franchise.
Featuring the most devastating personal stories related to Blip WandaVision and Hawkeye. The first depicts Monica Rambeau (Teyonah Parris) returning after the Blip, finding his mother in Maria’s hospital (Lashana Lynch) was undergoing cancer treatment five years earlier. The hospital is a scene of chaos as the increasingly confused Blipped return with rapid camera movements emphasizing the panic and confusion in the atmosphere. Monica knows that a nurse is shocked to see her and delivers the devastating news that Maria died after only a few years in the Blip.
Waste of time
Including flashbacks Hawkeye Yelena Belova showed (Florence Pugh) to have a similar experience. During Snap, Yelena was working with other Black Widows to free one of their own, Ana (Annie Hamilton), from the brainwashing of the Red Room, not knowing that Ana was already free. After clarifying the confusion with Ana, the Blip is shown from Yelena’s point of view, when it seemed to her that her surroundings had changed, before emerging five years later in Ana’s remodeled house, where Ana has a husband and daughter. . Ana reveals the Blip to a horrified Yelena, who immediately sets out to contact her sister, Natasha Romanoff (Scarlett Johansson), he discovers that Natasha died saving the world, although he doesn’t know the exact circumstances until later in the series.
Monica and Yelena are both struggling to deal with the loss of their loved ones, and arguably even more devastating, the loss of time they could have spent with them because of the Blip, and it doesn’t seem like Yelena is really over it. at the end Hawkeye. Monica is further along in the healing process and her final experience with grief will be crucial in relating and connecting with Wanda Maximoff (Elizabeth Olsen) while trying to understand the Westview anomaly created by Wanda. Monica is ultimately able to reach out to Wanda and show her that she’s not a villain, she’s just a person in pain, and their relationship helps Wanda decide to free Westview from her mind control and process her grief in a healthier way. Although Yelena stops trying to kill Clint Barton (Jeremy Renner) when Natasha tells him that she sacrificed herself to save him, Clint remains jealous of all the time he got to spend with Natasha and still radiates resentment and anger when she leaves. Yelena has a much longer road ahead of her before she fully recovers from her Blip experiences and the loss of Natasha.
The politics of the blip
There are also major political and social implications of Blip, as shown in Sect WandaVision and The Falcon and the Winter Soldier. In the first, Monica’s boss is SWORD director Tyler Hayward (Josh Stamberg), a bigot willing to use any means, no matter how immoral, to acquire superhuman agents and resources for the US government and eliminate what he perceives as a superhuman threat. Hayward is quick to label Wanda a terrorist and hides the fact that it was Vision’s undoing (Paul Bettany) body, which he commanded, led to his mental state disturbance and then the Westview crisis, from Monica and other subordinates. Hayward uses the fear and trauma caused by the Blip to justify his actions as necessary to prevent future supernatural disasters.
In the discussion with Monica, he says: “Those of you who left still have the luxury of optimism. You don’t know what it was like. What was needed to keep the lights on.’ This fear of super-powered phenomena feels like a possible foreshadowing of future MCU stories involving the X-Men, as that group and other mutants like them are discriminated against for their abilities rather than celebrated for their heroism in the comics. Hayward’s statement also raises the tension between those who were Blipped and those who survived, which could be interesting for various projects to explore.
The Falcon and the Winter Soldier he further developed how the Blip changed the Earth on a geopolitical level. The series depicted a new refugee crisis where Blip survivors who had survived the five-year gap were forced out of their homes when their previous Blipped neighbors returned. The Global Repatriation Council was formed to address these and similar issues, but it did not do so in a positive way. The main antagonists of the series are the Flag Smashers, a group of revolutionaries who believe that the world was better and more united during the Blip era, but who let their desire for political change lead them to terrorism.
The final action scene involved the Flag Smashers attacking a GRC vote enhanced with a version of the super-soldier serum that could enact the controversial Patch Act, which would have deported all Blip-related refugees to their countries of origin. After Flag Smasher boss Karli Morgenthau (Erin Kellyman) was killed in the fighting, Sam Wilson (Anthony Mackie), the Avenger formerly known as the Falcon, who recently assumed the mantle of Captain America, asked the politicians in attendance to make more compassionate decisions in the future to avoid creating more resentment and violence.
Even as time moves on and the MCU continues to advance, Blip would benefit from more of that detailed world-building and exploration. It’s a monumental event that plays a crucial role in separating the MCU from the real world and should continue to explore its ramifications. Ant-Man and the Wasp: Quantumania It’s an encouraging sign that movies can do so in the future, as it features Scott Lang (Paul Rudd) dealing with wasting time with his daughter, Cassie (Kathryn Newton), when he was trapped in the Quantum Realm during the Blip.