February 21, 2024

Why does he do it? John Wick‘s Does the gently absurd premise work so well? Why is he watching? Keanu Reeves Cut the villain to avenge his dead dog in the name of creating a multimedia franchise entertaining enough? Reeves is arguably the draw at his best, and there’s been a lot of sympathy for that poor puppy (obviously, I wouldn’t copy his actions if someone hurt my beloved cat, but still, I get you, Mr. Wick). And here’s the draw: John Wick it takes on a quiet, sly silliness that borders on parody. It’s a movie that knows what it is: gory, visceral, and self-aware enough to occasionally wink at the audience with an expertly placed one-liner. Director Chad Stahelski (former background) and writer Derek Kolstad it strikes the perfect balance of bringing the circumstances to the brink of the ridiculous, yet showing complete reverence for the Hong Kong action cinema that inspired it. Wick.

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Even if John Wick: Chapter 2 and John Wick: Chapter 3 – Parabellum Turn up the absurd factor, the first film didn’t lack for wry humor. the world of John Wick 2014 was smaller, and its purpose distilled: a recently widowed hitman takes out his grief by taking down a Russian mobster (Alfie AllenIosef Tarasov) broke into his house, stole his car and killed the puppy his late wife had adopted to keep her grieving husband company. As such, the tone of the film is quite a bit darker, and the hints of the complicated world of assassins Wick once lived in are just that: hints. The elegant Continental Hotel where the killers hang out is fascinating; has blade runneresque color palette suggests a dangerous urban landscape; and there’s all that mythology that follows Wick like a second shadow. These touches enhance the world and add just enough texture to feel tactile without the clunky splash of information.

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What makes the John Wick movies great?

Keanu Reeves in the second chapter of John Wick
Image via Lionsgate

Wick’s skill as a dispenser of death is the best example of the franchise’s tonal balance. He is legendary throughout the assassin community, unstoppable Terminator-style figure, which is as intimidating as it is terrifying resignation. Viewers don’t see a history of Wicken’s killers, however; everything is conveyed through dialogue that reads like a modern fairy tale or a superhero origin story. Viggo Tarasov (Michael Nyqvist), Iosef’s father, will leave Iosef to his fate, because that boy is in deep shit. But it still heralds the myth of Wick, especially Wick killing three men with a pencil. “Who does that?” he demands

The pencil line, especially as Wick breaks through a concrete floor to retrieve a gun and ammo, is darkly hysterical and makes the film’s intentions clear. The nightmarish aura surrounding Wick is a perfect mix of humorous, unsettling, and more than a touch encouraging, because this is fiction, and we can do that.

Another example Wick’s the tendency towards satire follows the film’s actual fight sequence. All the gunfire prompts one of Wick’s neighbors to call in a noise complaint (yikes!), but the police at Wick’s door is a complete reversal of expectations. She and Wick are friends and when she spies the dead in Wick’s hallway, she casually asks, “You, uh, back at work?” It’s a strange contrast to Wick’s massacre, which was played straight and could have been straight out of one. Saturday Night Live sketch

Then there are the fun shots: Wick finally getting his revenge in slow motion, his black suit jacket floating gracefully behind him as Iosef approaches a corner. Stahelski and cinematographer Jonathan Sela Often Wick emerges from the shadows into film black lighting that illuminates only half of his face, obviously representing Wick’s spiritual duality. The words “epic” and “clap” are not inappropriate here.

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John Wick’s Gun-fu is so good because it respects the art form

Keanu Reeves as John Wick
Image via Summit Entertainment

Actually, because it is John Wick’s is the definition of epic fight choreography. Much has been done about how Wick revive Hollywood gun-fu, but the reason Wick’s the action scenes are captivating, it’s simple: Stahelski and his team understand that gun-fu is an art form. Famous director from Hong Kong John Woo Gun-fu originated in the 1980s and 1990s, and Hollywood began to imitate the style in the early 2000s. Instead of putting style over substance, Stahelski treats the martial art with the respect it deserves. The rigorous and complex choreography is remarkable in its own right, but it’s also elegant in its execution, largely due to Reeves’ mastery of physical performance. Not enough praise can be heaped on his commitment to removing the authenticity of his work; as such, violence Wick it sounds different. Wick is visceral and efficient, brutal and ruthless, his actions both second nature and demanding everything his body can give. Bloody, he sweats, and continues with those blows that fall into his eyes.

Unlike other action franchises, where the sequences grow stale and repetitive, the unfortunate scenarios Wick finds themselves in remain mostly creative. Chapter 2 and Chapter 3. I mean, where else would you see a man killed with a library book (Wick is the only fictional character allowed to commit such a transgression), or a rain-soaked Reeves riding a horse through the streets of New York being chased by armed men. on motorcycles? Wick confronts a chatty fan who continues to try to impress him after Wick inserts his sword. The production team’s commitment to combat quality never falters, but moments like pulling off absurd kills (Wick shows off his pencil technique) or Wick throwing his empty gun into an opponent’s face interrupt the action enough to make you crave it. With Wick’s skills well established, there’s room to play around.

The World Building of the John Wick Movies Is So Silly It’s Fantastic (And Fantastic)

Keanu Reeves in John Wick 3 (2019)
Image via Summit Entertainment

In fact, the second and third films are when the franchise unleashes its weirder side. The tone changes to something lighter as if the director is beckoning the audience, and the intricacies of Wick’s world of killers slowly unravel. There is much more to the surface than viewers might guess: an organization called the High Table oversees the actions of the assassins like an executive board runs a corporate business. Santino D’Antonio (Riccardo Scamarcio), a member of the Italian mob, forces Wick to kill Santino’s sister, demanding an unbreakable blood oath the two share. When Wick breaks the rules and kills Santino on neutral continental property, the High Table kicks him out of their ranks and puts a bounty on his head. The High Court Adjudicator dressed elegantly (Asia Kate Dillon) even gets to clean up the mess Wick made. The heavily tattooed High Table clerks use rotary phones and old computers, and apparently everyone on the streets of New York is a killer interested in Wick’s bounty. Oh, and John Wick is not his real name; It has a mysterious backstory involving a Russian crime syndicate.

All together, Wick he almost considers it an urban fantasy. The world building is almost a bundle of insanity, but too elegant to criticize. We don’t need to know why the guy who guards the High Temple lives in the desert; it just does Of course, John embarks on a quest to find this man by scaling endless sand dunes under a bright sun and a starlit night sky. And when Reeves meets his the matrix partner Laurence Fishburne, that’s about as conscious as you get. Fishburne chews the scenery with relish, asking a betrayed Wick, “Are you mad, John?” To which Wick, a constantly exhausted killing machine with a broken heart of gold, gives the classic Keanu Reeves answer, “Yes.” It’s dead but fierce, summing up the tonal balance of the franchise in one word.

So what’s next for the John Wick franchise?

with that John Wick: Chapter 4 in the near horizon, several factors are assured. We will learn more about the crazy world of Wick and the people who live in it; evil creative carnage is a given. The legendary Donnie Yen He will face Reeves in the cinematography of the ages. As for the rest, fans can only guess, because Wick it does not conform to the rules of the action film, although the creators respect the artistic history of gun-fu. Somehow, cartoon satire, wildly contrived bloodshed, and the psychological exploration of a sad man who doesn’t know what to live for come together into a cohesive whole that is one of the most satisfying action franchises in modern cinema.

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